Minolta RP-507
Microfilm Reader Printer - a brief technical perspective
by Evis Beaton – Microfilmworld.com
The Minolta
RP-507 was released circa 1987 and fit into the then current RP line up as sort
of a hybrid unit that could breach the gap between standard legal/letter
microfilm & microfiche and large format engineering applications such as
Aperture Cards and 35mm roll film.
Working for
the largest Minolta reseller in the U.S.A. (at that time) as the service
manager for the Los Angeles division, we fully expected the RP-507 to replace
some aging RP505 units that already had rather high mileage. The RP507 had two paper cassettes that could
be set up for various paper formats as well as an optional bulk paper feeder
unit that could hold over 1,000 sheets. This unit was designed for high
production printing, with its print engine based on its EP-650Z photo copier
brother.
The RP507 had
most of the same paper feed, transport, imaging and fuser parts as the high
production EP-650Z copier but the addition of the optical mirror scan system
required for the microfilm application, along with the vertical paper feed
section and dual developer unit system made it much more temperamental. As a Minolta factory trained technician on
the RP-507, I could clearly see the potential for paper jam issues on this
machine and they were eventually plagued with paper jams as well as copy
quality issues.
Minolta
changed the “Bi-Mode” single developer unit system so successful with the
RP-505 and went with a dual DV system so that there was a N-P toner hopper and
developer unit as well as a P-P toner hopper and developer unit. When the user
chose the film polarity format (or determined by AE) the DV assembly would tilt
the appropriate DV unit closer to the drum unit by way of a motor controlled
platform. The toner hoppers were located at the top of the system on one side
and employed rotating toner bottles that “trickled down” the toner via plastic tubes
to the DV unit. That system was prone to clogging and consequently the density
of the print was unreliable. From a technician’s
point of view, we noticed that customers that had replaced thier RP-505’s with
the new RP-507 were generally not as satisfied with the upgrade.
The RP-507
did have its bright points though. It could print as large as 11 x 17” and had
a large ledger size screen as well. It
was not as successful as the RP-505 and never did I find an RP-507 with even 500,000
prints on it, they usually were sent out to pasture way before they could reach
that point. After the successful launch
of Minolta’s next work horse, the RP-605Z, the RP-507 was phased out and parts
became difficult to obtain. Eventually they were all but replaced with newer
systems by Minolta and increasingly by Canon that had capitalized on the weakness
of the RP-507 and touted their apparently more reliable NP-680/780 which I
believe gained much ground during the period between the end of the RP-505 and
the beginning of the RP-507 era.
Please feel
free to contact me regarding Micrographic solutions or for technical support on
these or other Micrographic Systems. Evis Beaton evis@microfilmworld.com
Evis
Beaton is the Sales and Marketing Manager for Microfilmworld.com and has over
25 years of experience in the Microfilm Industry working as a field service
technician, technical specialist and service manager for Minolta’s then largest
microfilm dealer in the USA. Evis has an ASEET (Electronic Engineering
Technology) and a Bachelor’s degree in Business Management with an emphasis on
e-commerce organizations.
© Evis Beaton All Rights Reserved 2015